6/30/09

The Nook of Genesis

All Futurechimp readers are surely aware of Kentucky's Creation Museum, but today's NYtimes has a great article about 70 scientists getting on a bus at the nearby American Paleontological Convention in Cincinnati for a field trip. An excerpt follows, the rest is here.

“I think they should rename the Creation Museum the Confusion Museum,” said Lisa E. Park, a professor of paleontology at the University of Akron. “Unfortunately, they do it knowingly,” Dr. Park said. “I was dismayed. As a Christian, I was dismayed.”

Dr. Bengtson noted that to explain how the few species aboard the ark could have diversified to the multitude of animals alive today in only a few thousand years, the museum said simply, “God provided organisms with special tools to change rapidly."

"Thus in one sentence they admit that evolution is real,” Dr. Bengtson said, “and that they have to invoke magic to explain how it works.”

But even some who disagree with the information and message concede that the museum has an obvious appeal. “I hate that it exists,” said Jason D. Rosenhouse, a mathematician at James Madison University in Virginia and a blogger on evolution issues, “but given that it exists, you can have a good time here. They put on a very good show if you can handle the suspension of disbelief.”

By the end of the visit, among the dinosaurs, Dr. Briggs seemed amused. “I like the fact the dinosaurs were in the ark,” he said. (About 50 kinds of dinosaurs were aboard Noah’s ark, the museum explains, but later went extinct for unknown reasons.)

The museum, he realized, probably changes few beliefs. “But you worry about the youngsters,” he said.

Dr. Sato likened the museum to an amusement park. “I enjoyed it as much as I enjoyed Disneyland,” she said.

Did she enjoy Disneyland?

“Not very much."

6/28/09

3-D Corner: Jocko Homo


This is a crummy VHS transfer, but it's also the first 3-D simulcast in human history. Devo's 3-Devo concert was shot in LA on Oct 30th, 1982 and broadcast live via satellite to college campuses and pay-per-view cable. Devo were at the height of popularity at the time, and it's an era which I don't enjoy, but here's a rendition of the classic "Jocko Homo" (official anthem of futurechimp.com) with a long break in the middle so Mark Mothersbaugh can go into full-tilt Svengoolie mode with SS Adams 3-D gags! What more can you ask for?

There was a big foul-up in the middle of the show, when a sound man threw their video projection with its accompanying arpeggiator track off-sync to half of the band (seen here) and the 3-D isn't so hot, but it's a historic event. Glasses On:



an index of youtube links to the rest of the concert in 3D is here.

6/26/09

Kraftwerk 1970-1973





If you don't own Kraftwerk's four essential albums, from Radio-Activity to Computer World, then you're just a weirdo and this blog wants nothing to do with you. But you might not have heard their first three records, Kraftwerk 1, Kraftwerk 2 and Ralf und Florian, which the above playlist is excerpted from. They've never been legitimately released on CD, and the band has disowned them. They regard their fourth record Autobahn as their first "real" album.

That's too bad, because starting with Autobahn, Kraftwerk made inventive electronic music, but within a restrictive pop idiom. The earlier work is so much more daring, even if not always successful. Ralf and Florian started as classically trained musicians experimenting with a new kind of music. Influences of Stockhausen and Cage are evident, as well as the popular free jazz scene of late-60's Germany. Hardly any synthesizers are in this material; hearing Kraftwerk playing drums, organ, violin, flute, glockenspiel and steel guitar is quite a different experience from the formalism of Man-Machine.

You won't have a hard time finding these records on file sharing networks. Also check out their pre-Kraftwerk band Organisation and their single album "Tone Float", and the super-excellent Kraftwerk and the Electronic Revolution, a three-hour long, misleadingly titled documentary about the whole nascent krautrock scene of the sixties, with lots of focus on Edgar Froese, Ash Ra Tempel, Can, Popol Vuh, Amon Duul, Kluster, Conny Plank and many other innovators:

Synthesizers 101

Lovely synth-chick Suzanne Ciani (best known as the humanoid alter-ego of Xenon), demonstrates her synthesizers (including the mighty Buchla 200) on 3-2-1 Contact:



for more about synthesizers, let's hear from Synthesizer Patel:



(related: somewhat interesting clip of Suzanne Ciani showing her 'rack' on the short-lived daytime show of professional prick David Letterman here)

6/24/09

Dünyayı Kurtaran Adam

Better known as "Turkish Star Wars". Sure, you've already seen it, but that was probably a fuzzy VHS bootleg. Besides, you were too high to really appreciate it. Here's the whole movie, with easy-to-read English subtitles:



from wikipedia:
Dünyayı Kurtaran Adam was released in 1982 in the midst of massive political upheaval; American-made films weren't easily acquired and were often remade with a Turkish cast and setting. The four most notable films to be so bootlegged are Star Wars, The Wizard of Oz, The Exorcist and E.T.

The space scenes are stolen from Star Wars (a.k.a Star Wars IV: A New Hope), the Star Trek series and Battlestar Galactica. The musical soundtrack is entirely lifted from Raiders of the Lost Ark, Moonraker, Ben Hur, Flash Gordon, Battlestar Galactica, Planet of the Apes, Silent Running and Disney's The Black Hole.

6/23/09

Voltaire and Elektro's Stag Party



From the unavailable-on-home-video classic Sex Kittens Go to College, Voltaire the Chimp tends bar while the once-famous Elektro is serviced by a bevy of buxom beauties. This video is too hot to be embedded on this page, so WATCH HERE.



If you're at work, you'll probably want to abstain, and check out the family-friendly trailer instead:



I know I've already linked to this clip before, but that was a long time ago. And it's too awesome to reference only once, a perfect synthesis of retro-futurism, burlesque, and chimps. As a loyal reader said, "it's like a snapshot of (this author's) brain".

6/22/09

It's Alive: Corpse Flower


Only found indigenously in Sumatra, The Amorphophallus titanum (commonly known as the "corpse flower") produces the single largest flower in the world, sometimes over ten feet in circumference. It also reeks, evoking something between excrement and a decomposing corpse. Because of this, it attracts carrion beetles and flesh-eating flies, which in turn pollinate it.

A loyal reader tipped me off to the corpse flower last Thursday, because one had bloomed right here in the LA area that very morning at the Huntington Library's conservatory. This is one of the only 50 confirmed blooms in the history of the United States. Unfortunately, it has since collapsed; the average bloom only lasts two days. The Huntington's last such event occurred in 2002. Smell you later, corpse flower.

Also, "Amorphophallus titanum" is derived from the ancient greek for "misshapen penis". Recently, the great Richard Attenborough invented a new name, Titan arum, to use in one of his televised documentaries. He felt the original name was too rude to be repeatedly used on the air.

6/21/09

The Jesus and Mary Chain




These tracks are pulled from The Power of Negative Thinking, an overpriced 4-disc set of rare b-sides and demos. I'm limiting the playlist to selections from the first disc, because it's the only one I like; you can keep the melancholy dirges of their second record Darklands, the drum machines and pop formulas of Automatic, and everything that came after. This early material is fantastic, though, and their first album Psychocandy is one of my all-time favorites (although when I first bought it in 1985-86, based on the enthusiastic recommendation of a friend, I didn't know what to make of it. I had to put on a different record afterward to make sure my stereo's speakers were functioning properly). From wikipedia:

Brothers Jim and William Reid had spent five years on the dole, and in those five years they wrote and recorded songs at home and worked out the sound and image of the band. They started recording and sending demos to record companies in 1983, and by early 1984 they had recruited bass player Douglas Hart and teenage drummer Murray Dalglish. In the early days Jim Reid's guitar would be left out of tune, while Dalglish's drumkit was limited to two drums, and Hart's bass guitar only had three strings, down to two by 1985.

In May 1984, on the strength of hearing the band soundcheck, they were signed to the Creation Records label on a one-off deal. The debut single, "Upside Down", was recorded in October and released in November that year. The B-side was a cover version of Syd Barrett's "Vegetable Man". The band were gaining increasing attention from the music press at this time with Neil Taylor of the NME describing them as "the best band in the world".

Their debut album 'Psychocandy' was released in November 1985. The album fused together the Reids' influences: the guitar noise of The Stooges and The Velvet Underground with The Beach Boys, The Shangri-Las and Phil Spector. The record received unanimously positive reviews and is now considered a landmark recording.


Play it LOUD.

6/20/09

Futurechimp


(much thanks to the friend who spotted this at a bookstore and picked it up for me.)

"Planet of the Apes" in 80 Seconds

(skip ahead to 1:20)

6/18/09

Head Like A Hole


Edited from an article in newscientist.com. Read the whole thing
HERE.

For thousands of years, trepanation has been performed for quasi-medical reasons such as releasing evil spirits that were believed to cause schizophrenia or migraine. Today it is used to prevent brain injury by relieving intracranial pressure, particularly after accidents involving head trauma.

In the popular imagination, though, it is considered crude, if not downright barbaric. Yet such is the desperation for effective treatments for dementia that drilling a hole in the skull is not even the strangest game in town.

The causes of dementia are many and poorly understood, but there is growing evidence that one factor is the flow of blood within the brain. As we age, cerebral blood flow decreases, and the earlier this happens the more likely someone is to develop early onset dementia. It remains unclear, however, whether declining cerebral blood flow is the cause, or an incidental effect of a more fundamental change.

As well as delivering oxygen to the brain, cerebral blood flow has another vital role: the circulation and production of cerebrospinal fluid. This clear liquid surrounds the brain, carrying the nutrients that feed it and removing the waste it produces, including the tau and beta-amyloid proteins that have been implicated in the formation of plaques found in the brains of people with Alzheimer's.

How blood flow influences cerebrospinal fluid flow can be gauged from something called "cranial compliance", a measure of the elasticity of the brain's vascular system. "The cranium is a bony cavity of fixed volume, with the brain taking up most of the space," says Robin Kennett, a neurophysiologist from the Oxford Radcliffe Hospitals in the UK. "Every time the heart beats and sends blood into the cranium, something else has to come out to prevent the pressure rising to levels that would damage the brain." So, as fresh blood flows into the brain's blood vessels, cerebrospinal fluid flows out into the space around the spinal cord through a hole in the base of the skull called the foramen magnum.

As we age, the proteins in the brain harden, preventing this system from working as it should. As a result, the flow of both blood and cerebrospinal fluid is reduced, impairing the delivery of oxygen and nutrients as well as the removal of waste. This normally begins between the ages of 40 and 50. Moreover, in a study of 42 elderly people with dementia, he found that the severity of their cognitive disorder was strongly correlated with cranial compliance: those with the severest dementia had the lowest compliance.

So where does trepanation come into all this? "A hole made in the bony cavity would act as a pressure-release valve," says Kennett, and this would alter the flow of fluids around the brain. This is exactly what Moskalenko observed when he carried out one of the first neurophysiological studies on trepanation.

Moskalenko studied 15 people who had undergone the procedure following head injuries. He found that their cranial compliance was around 20 per cent higher than the average for their age. Based on this, he calculates that a 4-square-centimetre hole increases cerebral blood flow by between 8 and 10 per cent. This, he says, shows that trepanation could be an effective treatment for Alzheimer's, and he even goes so far as to suggest that it might provide a "significant" improvement in the mental functions of anyone from their mid-40s, when cranial compliance starts to decline.

So will dementia patients and their families ever accept trepanation as a treatment for the condition? Johanson, who sees trepanation as no more alarming than a spinal tap, admits that it is always going to be a hard sell. "People think it's witchcraft when you drill a hole in the skull and patients are improving."

6/15/09

Freak Famine!

excerpted from today's Wall Street Journal:

Over the past four years, Ripley's Believe It or Not!, a unit of Jim Pattison Group's Ripley Entertainment Inc., has been on an expansion binge. It opened big new museums in New York, London, San Antonio and Bangalore, India. Four more are to open by mid-2010, in Veracruz, Mexico; Bahrain; Jeju, South Korea; and Surfer's Paradise, Australia.

As a result, the company says, it is for the first time in its history facing a shortage of A-list oddities on par with the portrait of Barack Obama made of 12,000 gum balls in New York, the three shrunken heads on display in London and the vampire-killing kit from the mid-1800s at the Tennessee museum.

"We have 10% of what we had just two years ago" because the company's stockpile has been nearly emptied to fill the new museums, says Tim O'Brien, vice president of communications at Ripley Entertainment. "We are in search for at least 200 A exhibits to replenish our supply and meet our current needs," he says.

But finding and buying large amounts of weird art, shrunken heads or Hollywood memorabilia while staying within budget isn't easily rushed.

Ripley's Believe or Not Museums are expanding so quickly that they're facing a shortage of vampire killing kits, two-headed animals and celebrity hair.

Consider shrunken heads. Every Ripley's museum must have one, and private collectors still covet them, but so far as experts can tell, no one is still making them. Mr. Meyer says that when he started working in acquisitions at Ripley's 31 years ago, the preserved human heads slightly larger than a fist could be bought for between $500 and $5,000.

"Today, you probably can't buy a fake one for $5,000," he says. A high-quality shrunken head -- one used for authentic tribal purposes, with long hair and decorative elements -- now costs about $50,000.

For deformed animals, another Ripley's signature museum piece, Mr. Meyer stays in touch with Paul Springer, a 66-year-old livestock farmer in Mineral Point, Wis., who has bought and cared for freak animals as a hobby since the mid-1970s. "People just know to give me a call if an animal is born with deformities," says Mr. Springer.

Supplies are limited. A six-legged calf, for example, is "about one in four million born alive," Mr. Springer says. He has sold about six animals to Ripley's to be stuffed and displayed.

Ripley's also displays some fakes. The company owns two authentic iron maidens, coffin-like medieval torture devices that killed people with inward-pointing iron spikes affixed to the interior walls. But it displays replicas in 17 museums. Mr. Meyer estimates that only 10 real ones exist in the world, and he knows of only two others, owned by wealthy individuals, one in Portugal and one in France.

"I follow those people in case they want to sell them," Mr. Meyer says. But facsimiles have to fill the gap, because "you can't have a big medieval torture display" without an iron maiden. The replicas are clearly marked as such, he says.

Mr. Meyer and his assistant, Anthony Scipio, receive dozens of pitches a week for headliner exhibits. Most just don't rate as A exhibits, or can't be bought at the right price.

Like a large-scale drawing of the Sultan of Oman made from a single, continuous line. It's one among many museum hopefuls detailed in a stack of papers in Mr. Meyer's office at Ripley's Orlando headquarters.

"A Ripley's customer doesn't care about the Sultan of Oman," Mr. Meyer says. "It's a C-plus, not an A. If it was Elvis, it might be an A."

6/14/09

It's Alive: Casu marzu

edited from wikipedia:
Casu marzu is a traditional Sardinian sheep milk cheese, notable for being riddled with live insect larvae. Although outlawed there for health reasons, it is found mainly in Sardinia, Italy on the black market.

Derived from Pecorino, Casu marzu goes beyond typical fermentation to a stage most would consider decomposition, brought about by the digestive action of the larvae of the cheese fly Piophila casei. These larvae are deliberately introduced to the cheese, promoting an advanced level of fermentation and breaking down of the cheese's fats. The larvae appear as translucent white worms, about 8 millimetres long.

Casu marzu is created by leaving large pieces of Pecorino cheese outside and letting it ferment. During the fermentation process, the eggs of the cheese skipper Piophila casei are either intentionally introduced to the cheese, or a female Piophila casei lays her eggs in the cheese, sometimes exceeding five hundred eggs at one time. The eggs hatch and the larvae begin to eat through the cheese. The acid from the maggots' digestive system breaks down the cheese's fats, making the texture of the cheese very soft. By the time it is ready for consumption, a typical Casu marzu will contain thousands of these maggots.

Casu marzu is considered toxic when the maggots in the cheese have died. Because of this, only cheese in which the maggots are still alive is eaten. Because the larvae in the cheese can launch themselves for distances up to 15 centimetres (6 in) when disturbed, diners hold their hands above the sandwich to prevent the maggots from leaping into their eyes.

Several food safety issues have been raised in relation to Casu marzu. There is some risk of enteric myaisis, or intestinal larval infection. Piophila casei larvae are very resistant to human stomach acid and can pass through the stomach alive, taking up residency for some period of time in the intestines and causing stomach lesions and other gastrointestinal problems. The larvae have powerful mouthhooks which can lacerate stomach linings or intestinal walls as the maggots attempt to bore through internal organs.

Music for Schizo-Bots


Showing off some of my new toys (circuit-bent speak&math built by a friend, gakken sx-150 electro-theremin, chimera bc-16 patch synth).

6/13/09

Find The Chimp

A chimp is hidden somewhere in this video. See if you can find him.

6/10/09

Lux and Ivy's Favorites

Since Lux Interior's death I've been spending more time listening to the Cramps, my favorite rock n' roll band since I was 16, and appreciating the tributes and memoriams throughout the internet. It's a sad event, but this resurgence of Cramps interest has been a good thing.

A massive find is "Lux and Ivy's Favorites", 11 volumes (321 tracks!) of songs they spent most of their lives hunting down and enjoying, all for free.

Lux Interior and Ivy Rorshach were record collectors first, and a band second. They only started playing music after many years of digging up rare 45's of trashy rockabilly and doo-wop, and even then almost all of their songs were covers. They often freely admitted they were fans, trying to recreate the music they loved.

Listening to this collection is a special insight to Lux's tastes, and seemingly like Lux himself: unique, sincere, and always with a sense of humor. A short playlist is below (I found these tracks a few days ago, so I've barely listened to it all), and you can download the whole thing HERE.

(personal recommendation: combine these songs with those 255 free grindhouse radio ads I linked a few weeks ago into an itunes playlist and hit "shuffle").

Finger Food

From Reuters:
The director of the Berlin Zoo has had his finger bitten off by a chimpanzee called Pedro (pictured at left).

Bernhard Blaszkiewitz, 55, was feeding Pedro walnuts as he showed a visitor round the zoo Monday when the ape grabbed his hand and bit off his right index finger.

"Pedro is the boss of the group so he has to demonstrate a certain dominance in it to prove himself," zoo spokesman Andre Schuele said Tuesday. "Under normal circumstances, a chimp would never have the chance to reach a keeper or our director."

Doctors sewed Blaszkiewitz's finger back on but said it was not clear if the operation would be successful.

Schuele said the incident would have no repercussions for the 28-year-old Pedro.

6/9/09

The Chimp of Our Discontent


This remarkably strange story is from today's new york times. An accompanying slideshow can be seen here.

You never forget the rival who cast a shadow over your childhood, monopolizing your father’s love and attention, clearly preferred. This is especially true if she has bitten your hand so deeply that nearly 80 years later, a scar is still there.

Hers is a face you remember, and so it is that Harry Raven, now 82, easily spots his old bête noire, Meshie — in a glass case at the American Museum of Natural History in Manhattan, even if her only identification is a sign that says “Chimpanzee troglodytes.” “There she is, that’s her,” Mr. Raven says, walking as quickly as a guy with an arthritic hip can toward a thoughtful-looking, taxidermied chimp, sitting with its legs crossed, its handlike feet large and leathery.

How does Mr. Raven know it’s her?

“How do I know you’re you?” Mr. Raven says. “I recognize the details.”

He studies Meshie, recalling a previous exhibit that included a picture of her playing with his older sister, Jane; he imitates, with a bit of an edge, Meshie’s demanding, grunting, Uuuh-wooo! uh-awooo! yelp. Mr. Raven has said that his father’s devotion to Meshie at the expense of his family caused great heartache. But standing beside the chimp, whom he has seen now and then at the museum over the years, he shows none of the emotion one might expect at the sight of an enemy vanquished.

“I’ve mellowed,” he says.

The news stirs up memories. When a pet chimp attacked a Connecticut woman early this year, tearing off much of her face and leaving her blind, Mr. Raven, who had never spoken to reporters of his life with a chimp so famous that she got an obituary, was compelled to write to a reporter. His wife’s poor health prevented him from coming in from his home in Brick, N.J., until this week, when he arrived at the offices of The New York Times accompanied by his son-in-law, Andrew Haas, and his 10-year-old grandson, George.

Mr. Raven’s father, Henry Cushier Raven (pictured at left), a curator at the natural history museum, was a famous man whose life made headlines. “Expedition to Hunt Gorillas in Africa” read one, in this newspaper, when he set sail in May 1929.

Two years later, when Mr. Raven returned with an orphaned chimp named Meshie and seemingly made her a member of his household in Baldwin, on Long Island, that made news, too.

He took photographs and home movies of Meshie snuggling between the Raven children in bed; having a tea party with them; even holding Mary, the youngest, when she was a few months old. A Christmas card showed Jane pulling Meshie and Harry on a sled through the snow. Sometimes Henry Raven took Meshie to work at the museum, where she had lunch with him. Magazine articles of the time reported that the children considered Meshie a sibling.

All of this still drives Harry Raven, a polite, mild-mannered man, a little crazy. Meshie was never considered a sibling, he says.

She was cute and nonthreatening when his father first brought her home — he has a memory of her dozing in an apple crate in the basement — but as soon as she grew up she was strong and unpredictable.

She never slept in a bed — she was kept in a cage in the basement or backyard.

The only time she played with him and his sister was when his father was shooting movies. When something went wrong — like the time Meshie bit Harry on the finger because he didn’t give her an orange quickly enough — the scene was cut.

His father he remembers as a harsh, domineering man, who punished his son with a razor strop, left his family for long periods to go exploring, and was affectionate only with the chimp.


“I can’t think of him ever giving anybody a hug, except Meshie,” Mr. Raven said this week during a visit to The Times with his son-in-law and grandson before visiting the natural history museum. “I used to go down the street and wait for him to get off the commuter bus. I would run down to give him a hug, he would lean down and I would kiss him on the cheek, but he would never kiss me.”

As the chimp became older, she escaped more often, Mr. Raven recalls. When his mother was pregnant with her fourth child and his father announced he was going to leave on yet another expedition, his mother burst into tears and said she could no longer take it.

In 1934, Meshie was shipped to the Brookfield Zoo in Chicago. After she died in 1937, after giving birth, Henry Raven had her sent back to the natural history museum and preserved. He died seven years later, at age 54. The Meshie story, as far as Harry Raven was concerned, was over. He kept no pictures of her in the house, although he does say that after he married and was living in Chicago he went to see Mike, the chimpanzee who impregnated Meshie.

Why did he do that?

“Just curious.”

It’s time to visit the museum. Meshie means nothing to him — it’s just another museum exhibit, Mr. Raven says. Still, the museum entrance, with the dinosaur bones of Barosaurus defending her young, sets him remembering: His father’s office in one of the great round towers; a story about the way his father, facing a charging gorilla, told the African bearers to hold their spears, so as not to damage the hide; the way, as a father of two daughters, he tried not to be his father.

“There was cruelty my father inflicted not just on me, on Meshie,” Mr. Raven says. “In the movie it shows Meshie chained and there is a box. He’s motioning her to go to the box and she senses something’s wrong with that box — she doesn’t want to have anything to do with it. Well, he was kind of a strong personality; you had to do what he wanted. So she went to the box and put the cover up, and there was a snake, and he made her go back. She was obviously frightened and he knew that she was afraid, so why do that except to show her anxiety?”

Does he think, now, that it was Meshie who made his childhood unhappy, or was his father responsible?

“Not so much Meshie; it was my father,” says Mr. Raven, who has survived all his siblings. “Meshie caused familial disruption. She was a presence. It wasn’t her fault. She didn’t really do anything. It was the fact that my father paid attention to her at the expense of his family. She was just a presence, but my father — he was just not a good father. He was not a good father.”

Then, with a reporter and photographer trailing, he heads upstairs to the chimp.

6/7/09

6/5/09

The Worst



I challenge all readers to find a single cartoon worse than this, The Brady Kids Meet Wonder Woman, from 1972. It makes The Super Globetrotters look masterly. Referred by the essential WFMU blog.

On a related note, don't miss one of the most entertaining avclub.com pieces in months; a chronicle of hallucinatory children's programming.

6/3/09

Proto-Homo

from sciencedaily.com:

New Hominid 12 Million Years Old Found In Spain, With 'Modern' Facial Features


Researchers have discovered a fossilized face and jaw from a previously unknown hominoid primate genus in Spain dating to the Middle Miocene era, roughly 12 million years ago. The male bears a strikingly "modern" facial appearance with a flat face, rather than a protruding one. The finding sheds important new light on the evolutionary development of hominids, including orangutans, chimpanzees, bonobos, gorillas and humans.

The findings are based on a partial cranium that preserves most of the face and the associated mandible. The cranium was unearthed in 2004 in the fossil-rich area of Abocador de Can Mata (Barcelona), where remains of other fossilized hominid species have been found. Preparing the fossil for study was a complicated process, due to the fragility of the remains. But once the material was available for analysis, the results were surprising: The specimen combined a set of features that, until now, had never been found in the fossil record.

(it) displays a very modern facial morphology, with a muzzle prognathism (i.e., protrusion of the jaw) so reduced that, within the family Hominidae, scientists can only find comparable values within the genus Homo, whereas the remaining great apes are notoriously more prognathic (i.e., having jaws that project forward markedly). The extraordinary resemblance does not indicate that (it) has any relationship with Homo, the researchers note. However, the similarity might be a case of evolutionary convergence, where two species evolving separately share common features.

Its discovery may also hold an important clue to the geographical origin of the hominid family. Some scientists have suspected that a group of primitive hominoids known as kenyapithecines (recorded from the Middle Miocene of Africa and Eurasia) might have been the ancestral group that all hominids came from. The detailed morphological study of the cranial remains of Lluc showed that, together with the modern anatomical features of hominids (e.g., nasal aperture wide at the base, high zygomatic rood, deep palate), it displays a set of primitive features, such as thick dental enamel, teeth with globulous cusps, very robust mandible and very procumbent premaxilla. These features characterize a group of primitive hominoids from the African Middle Miocene, known as afropithecids.

Interestingly, in addition to having a mixture of hominid and primitive afropithecid features, Lluc displays other characteristics, such as a very anterior position of the zygomatic, a very strong mandibular torus and, especially, a very reduced maxillary sinus. These are features shared with kenyapithecines believed to have dispersed outside the African continent and colonized the Mediterranean region, by about 15 million years ago.

In other words, the researchers speculate, hominids might have originally radiated in Eurasia from kenyapithecine ancestors of African origin. Later on, the ancestors of African great apes and humans would have dispersed again into Africa -- the so-called "into Africa" theory, which remains controversial. However, the authors do not completely rule out the possibility that pongines (orangutans and related forms) and hominines (African apes and humans) separately evolved in Eurasia and Africa, respectively, from different kenyapithecine ancestors.

Read the rest HERE.

Synth-Porn

Look, a picture of a chimp:



Now that we've fulfilled our mission statement, here's some hot hardcore footage of Klaus Schulze rocking the synths back in the day:

.

6/1/09

Glo-Monkeys


from wiredscience.com:
The first genetically modified primates that can pass their modifications to their offpsring have been created by Japanese scientists.

The marmosets, pictured above, express a green fluorescent protein in their skin. The gene for producing the glow was delivered to the first marmoset embryos via a modified virus. But now that modification method could become unnecessary. One male marmoset, number 666, fathered a child (pictured at right) that also contained the transgenes.

Transgenic animals are a key tool in the biomedical researchers’ toolbox. They allow scientists to model the function of genes and the efficacy of treatments. Many transgenic mice lines exist, but often the small rodents are too different from humans to effectively extrapolate their responses to human beings. Primates, on the other hand, are far closer biologically to humans, but before the new technique, creating primate models had proven difficult and expensive.

Now, biologists may be able to produce whole groups of marmosets that mimic humans with genetic diseases like cystic fibrosis.

“Subsequent generations can be produced by natural propagation, with the eventual establishment of transgene-specific monkey colonies — a potentially invaluable resource for studying incurable human disorders, and one that may also contribute to preserving endangered primate species”

(no comments are necessary about the father of the first glo-monkey being named "666" or the tired old "destroy all humans" schtick. We've all outgrown that.)